![]() ![]() To a particular type of music or playing style. ![]() Versatile Pianoteq introduces new methods to adjust the piano sound to just the way you like it! Changes that until now could only be made by piano tuners are now possible directly from the interface. as if you could just lean over and touch the strings! Resonance and the position of the hammers. Such as the interaction between strings, the use of pedals, the cabinet Vivid The piano creates the sound in real time while you are playing and takes intoĪccount all the complex factors that makes the piano a truly vivid instrument, The volume can be used for splitting the instruments to different keyboard ranges, and the attack envelope can be used to mix an instrument with a particular attack that you want to emphasize, with another one whose attack has been weakened via the attack envelope parameter. ![]() Both can be edited note per note in Pianoteq Standard and PRO. When layering instruments together, there are two parameters you may find of particular interest: volume and attack envelope. playing Bass Marimba in the low range, Xylophone in the upper range and mixing both together in the middle range. The Layering feature allows you to mix several instruments, e.g. In the audio examples below, Dynamic Morphing refers to the fact that the percentage of the various instruments is dynamically modified while playing, whereas it is fixed in the Static Morphing examples. The timbre of the morphed instrument you create is the one of an imaginary acoustic instrument whose physical parameters lie somewhere in between those of the instruments from which you started building the morphing. This new technology handles the morphing at the physical modelling level, providing a stunning acoustic authenticity to instruments that never existed. However these are three of the many instruments you can create with the acoustic Morphing introduced in Pianoteq 7 (Standard and PRO). Instruments VibraDrum, CimbaHarp or GlockenTines for sure do not exist. Up to 48 kHz in PIANOTEQ Stage and Standard. PIANOTEQ PRO offers an internal sample rate of up to 192 kHz. Presets built with PIANOTEQ PRO can be loaded in PIANOTEQ Standard without limitation. In PIANOTEQ Stage, preset loading is limited to parameters that are present in the interface. You can purchase additional instrument packs at any time. These instrument packs are fully working whereas remaining instrument packs are available in demo mode for your evaluation. During registration, you can choose two instrument packs with the Stage version, three with the Standard version and four with the PRO version. Note-per-note edit: all other physical parametersĬoncerns new purchases from 2019 onward. Plus a few touches unique to each model.Note-per-note edit: volume, detune, attack envelope The five models offer a wide range of different characteristics that fundamentally affect the overall sound, giving you a broad palette to start with for your next riff, bass and pad.Īll five share common controls: waveform selection, octave range, mix or independent output volume controls, a noise source and plentiful modulation options. Like the filters, Diva’s oscillators are also modelled on classic hardware. All filters have modulation options and the traditional cutoff and resonance controls, but each has its character, quirks and options. (If you are interested, Urs wrote an in-depth blog post about ZDF.)ĭiva models five different filters found in classic hardware synthesizers. With ZDF, the delays normally produced when modelling analogue circuits are vastly reduced, resulting in a much more authentic resonance behaviour. A combination of realtime circuit simulation and zero delay feedback (ZDF) design gives Diva its remarkable sound. The filters are at the heart of Diva’s analogue sound. One spirit, many flavours Oscillators and Filters ![]()
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